Of Judgments, Literature & Everything In Between

Avni Shrivastav

16 Oct 2016 3:28 AM GMT

  • Of Judgments, Literature & Everything In Between

    On a pleasant October evening, three lawyers and a judge came together for a literary festival organised in the lap of Jim Corbett forest to share and discuss the art of judgment writing and highlight the intricate relationship law shares with literature. The occasion was Kumaon Literary Festival and the topic was ‘From legal literature to literature in law: Changing contours of...

    On a pleasant October evening, three lawyers and a judge came together for a literary festival organised in the lap of Jim Corbett forest to share and discuss the art of judgment writing and highlight the intricate relationship law shares with literature. The occasion was Kumaon Literary Festival and the topic was ‘From legal literature to literature in law: Changing contours of judicial opinion’ during a session titled ‘My Lords, I Rest My Case!’ in the 2016 edition of the festival.

    The beguiling session was organised on Wednesday at Jim’s Jungle Retreat in Ramnagar, and the speakers were Justice AK Sikri, Dr Abhishek Manu Singhvi, Sanjay Hegde and Dr Saif Mahmood.

    Legal literature has been a long and distinct literary genre. While deciding and writing on pure questions of law, judges have come out with several evocative pieces of literature in the form of their judgments. Similarly, in numerous cases, judges have taken the refuge of prose and poetry to convey crucial judicial points in clear, graceful and structural manner.

    An illustration can be seen in the fact that the principle of vicarious liability in India was laid down in a case decided by the Bombay High Court in 1924, based on the concluding line of John Milton’s famous sonnet On his Blindness, that say They also serve who only stand and wait.

    In 2011, while deciding on a perplexing matter of euthanasia (mercy killing), Justice Markandey Katju started his 141-page judgment by quoting 18-century poet Mirza Ghalib by saying, “Marte hain aarzoo mein marne ki, Maut aati hai par nahin aati (One dies longing for death/but death, despite being around, is elusive)” to convey the dilemma that surrounds the issue of mercy killing.

    “Imagery and poetry are welcome as long as these are vehicles of thought because eventually, it is interpretation that has to be the true objective,” said Dr Abhishek Manu Singhvi, a senior lawyer of the Supreme Court.

    However, over the years it has also happened in the use of poetry, prose or elaborate language, that either the legal point has gone missing or has resulted in the use of ‘overblown vocabulary’, giving rise to a ’judgment by thesaurus’. This was seen in a judgment given by the Supreme Court in the case of Subramanian Swamy v Union of India, that said:

    “This batch of writ petitions preferred under Article 32 of the Constitution of India exposits cavil in its quintessential conceptuality and percipient discord between venerated and exalted right of freedom of speech and expression of an individual, exploring manifold and multilayered, limitless, unbounded and unfettered spectrums, and the controls, restrictions and constrictions, under the assumed power of “reasonableness” ingrained in the statutory provisions relating to criminal law to reviver and uphold one’s reputation.”

    Brimming with adjectives, the judgment is unfathomable to the lawyer and layman alike. The complex sentences of the judgment could have been written in small simple sentences to convey greater clarity.

    Judgment writing has been referred to as an art several times, as the objective of a well-structured judgment is to enhance clarity.

    Celebrated for his introductions while writing judgments, Lord Denning was known for writing with a style that composed of giving bold judgments through simple sentences with a dramatic arc.

    He once wrote about his style of writing and said:

    “I start my judgments as it were with a prologue – as the chorus does in one of Shakespeare’s plays – to introduce the story. Then I go from act to act as Shakespeare does –each with its scenes – drawn from real life… I draw the characteristics as they truly – using their real names… I avoid long sentences like the plague: because they lead to obscurity..… I finish with a conclusion – and epilogue – again as the chorus does in Shakespeare. In it, I gather the threads together and give the result.”

    Highlighting on the need for simpler and clearer judgments, Supreme Court judge Justice AK Sikri said: “A judgment is not meant only for lawyers. Even though they are decided on law and may be relevant for lawyers, they are primarily meant for the litigants because it is their dispute and, thus, they should be able to understand what is written.”

    This article has been made possible because of financial support from Independent and Public-Spirited Media Foundation.

    Picture Courtesy - Kumaon Literary Festival Facebook Page.

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